Color: Angelica Tibule

According to Graphic Design: The New Basics, color can convey a mood, describe reality, or codify information, and is used to differentiate and connect, to highlight and to hide (p. 81). Throughout this comic, the artist mostly uses cool colors. The setting of this Garfield comic consists many tints of analogous colors, such as: blue-violet, blue, blue-green, green. The artist uses different shades of a color, for example, the color purple. Looking at the first panel of the story, the color of the wall and Garfield’s bed are both purple. Although, his bed is a darker shade of purple in comparison to the wall. In the following panel, the artist uses tint with a gradient effect of blue for the background, as well as the sixth panel, but with a tint of purple. In addition, the artist also uses complimentary colors between Garfield and his blanket, which is orange and blue. Going into more details, the fifth panel of Garfield eating out of the refrigerator, shows a gradient effect from yellow to blue. The gradient effect created that glowing effect coming from the light of the fridge. Out of all the panels, the fourth panel of Garfield lying down with the sun shining on him, is very tinted and uses both a cool and warm color to give that effect of Garfield feeling relaxed while being warm from the sun rays.

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Color: Cassidy Krahn

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Blackset Night, Writer Geoff Johns, Penciler Ivan Reis

Well hello Hal. This week for color I though what would be more perfect than picking though some Lantern Corps comics? Nothing. But let’s look at the wonderful colors here! So we are working with a lot of primary and secondary colors. The red, blue, and yellow lanterns are all primary colors. While the green, purple, and orange are secondary colors. Leaving the tertiary colors of pink left. Not in this comic the colors are represented of the respective lantern corps; green is willpower, red is rage, orange is avarice, etc. Each lantern is highlighted with the shade of the dark background.

The way the colors interact as beings is different that we see on the page. To me it looks like the designer took great care in making each lantern encapsulated in their respective color. Green Lantern is covered in electric green, same with Pink Lantern, and Blue Lantern. We can see in interactions of the colors in how they are layered. We see the Red Lantern more because it is against the Green Lantern verse if it was between pink and purple, red would be lost because they are close in value and intensity but different in hue.

 

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Color: Leandra Choy

 

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Two pages from The Umbrella Academy by Gerard Way and Gabriel Ba (pages are not numbered for some reason.)

The use of color on these two pages from The Umbrella Academy by Gerard Way and Gabriel Ba helps with understanding what is happening in the scene or general frames (The large ones.) Also the use of color gives us a sense of action that is happening on both pages. On the left page, some type of fiery explosion happened inside of the building and the use of warm colors helps emphasize intense moods or the feeling of an explosion. The saturated red and yellow colors with some secondary colors along with tints of red and yellow illustrate the intensity and emphasis of the fire (not to mention how it blows out all the windows of the building too.) I like how on the next page, the warm page contrasts with the scene that is happening next.

The page on the right shows the after math of the explosion which is illustrated with cool colors instead of warm. Tints of blue, black, and shades of grey on this page makes me think of the saying “the calm after a storm”. All of the intensity has ended and all we see is the cold atmosphere and smoke due the the use of cool colors. One element that contrasts with everything on that page is the little exclamation flame above Pogo’s (the monkey) head. The use of warm colors here expresses that Pogo is shocked or surprised at what has happened without seeing his face.

 

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Color: Tia Caton

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Charles M. Schultz’s comic series “The Classic Peanuts” 

Color has become a major component in design processes and choices. The use of color helps influence the audience on how to feel or interpret a certain piece as well as what to focus on. Color can describe mood, reality or codify information while also make things stand out or disappear. The basic color theory states that colors sitting close to each other on the color wheel are analogs. There is minimal color contrast together and innate harmony with these colors. Also stated by this theory is the idea of compliment colors or colors on the opposite end of the color wheel. There are primary colors (red, yellow and blue), secondary colors (orange, purple and green), and also tertiary colors (mix of primary and secondary colors, ie. red-orange). Along with the basic color theory there are certain aspects of color such as hue, intensity, value, shade, tint and saturation. Each of these modes help describe the attributes of a color and provides the wide range of colors we see.

For this post I decided to use one of my favorite comics, the Classic Peanuts, by Charles M. Schultz. Growing up I always loved reading about the adventures of Snoopy and the simple use of color in these comics. Looking at this comic strip in particular, there is a common theme of the use of primary colors in each of the frames. Schultz keeps it simple by sticking to the red, yellow and blue of primary colors. However, this doesn’t mean that is his only use of color. He also incorporates the use of secondary colors such as green and purple. I feel like by using a select number of colors the focus still remains on the characters and dialog while also creating a pleasant background. By creating a mainly blue and green background, the author utilizes the color theory of compliment colors to make the red dog house pop in the image. Red and green are compliment colors on the color wheel, according to the basic color theory, and thus creates a bolder statement for the well known Snoopy dog house. I think the two frames that have a solid colored background, such as the yellow and purple one, help set the mood of the characters that are speaking. For example, the girl in the yellow frame is talking about how the day is sunny and bright which is usually associated with the color yellow. By creating an all yellow background the mood of the scene is positive and happy. In contrast to this, the purple background creates an almost sullen feeling. By using a light purple, Schultz is able to portray the girls initial response to Snoopy completely doing the opposite of what she suggested. Using a light purple still keeps the comic feeling light hearted but the cool color is able to portray more of a disappointed feeling to it. I think this is a really great example of how color can illustrate emotions and also make things stand out or fade to the background.

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Color: Dave Herman

This page from Alan Moore’s graphic novel Watchmen uses color particularly well. First, I noticed the contrast in saturation and hue between the top three frames and the other frames. The top left frame shows depicts a mostly red palette accented by an additional warm color, yellow. The next frame, now including a man’s foot, turns to blue, featuring many different tones of blue. The top right frame returns to warm colors with the man’s foot splashing in the puddle adding an extra touch of yellow to overpower the red. The bottom four frames, which mostly occur inside, appear much darker and dried out. The first of these frames shows the man entering a sickly green building along with a urban teal sidewalk and a bleak yellow stoop. The next frame, showing with the man entering the door from the inside, juxtapostions the bright yellow of the light pouring in the pitch black room. The next frame shows a dull brown door closing on the man. The man and the rest of what is seen of the inside of the room appears to almost be all the same color. The last slide features the man, now facing the audience, showing all of his colors, which include bright yellow, rusty red, light blue, and dark black. The other man is depicted in shadowy darkness, colored by the light blue again and now purple, which might suggest a different influence driving this particular character.

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A page from Alan Moore and Dave Gibbon’s graphic novel Watchmen.

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Color: Elise Detloff

 

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This page features Maira Kalman reminiscing about past teachers. (Maira Kalman, The Principles of Uncertainty, The Penguin Press: New York, 2007)

Maira Kalman’s The Principles of Uncertainty is such a vibrant and colorful graphic novel that there are many wonderful examples of how hues interact with each other.

Hues are the specific place on the spectrum where the color is. In this example to the left Kalman utilizes complementary colors or hues in her portraits of past school teachers. Mr. Kafka has a green background and is wearing a black suit, and black goes with everything, and his brown hair (while not next to green on the color wheel) keeps the cool color scheme of the text as a whole. The same thing could be said for Mrs. Einstein, who wears a dark gray suit and has a cool blue background. Now Miss Covino and Miss Smalline both sport warm colored backgrounds and red suits that create an analogous color scheme, which is where hues that sit next to each other are used to build color schemes.

But the basic color theory that closely placed colors are analogous and that two colors opposite each other contrast isn’t the only way that Kalman uses color.

Kalman also utilizes various color characteristics to emphasis certain elements by contrasting colors. Take Miss Smalline for example. The background yellow color tinted, which means white was added to the color. This gives it the light buttery color that contrasts against the intensity of the orange hair. Her hair has high intensity meaning that neither black nor white was added since those colors would dull the orange and produce a low intensity color.

The entire image in itself uses each major component of the color wheel( save indigo and violet) making the whole page cohesive despite the contrasts between each individual teacher. It feels complete and is very visually pleasing because of the color choices.

 

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Color: Alexa Berg

The purpose of color in illustration is to differentiate and connect, as well as to highlight and hide. The mixture of different hues and intensities bring modern media to life. We perceive colors in relation to one another, and therefore, it remains a shifting phenomenon.

In one of Bill Wattersons famous Calvin and Hobbes comic strips, Watterson sets a good example of how color can be used properly to highlight certain elements.

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Calvin and Hobbes by Bill Watterson.

For example, the contrasting red against white, highlights Calvin in a way that he is able to stand out, since our eye is immediately drawn to him at the beginning of this comic. We then see the use of analogous colors in the box where the background appears a desaturated blue against the saturated blue of the balloon. These two colors has related color temperature, and are therefore able to soften and create a certain energy and mood (in this case, surprised).

The next box contains a fully saturated green background, and since green compliments red, this is typically the first thing you look at when you pick up this comic strip. The rest of the background is white, so this really stands out. Watterson chose to use mostly primary colors to fill in his illustration, but the slightly hued colors of pink/purple and blue bring the uniqueness and importance to this particular comic.

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Color: Nikki Aviles

 

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Page 2, Garfields Monday Madness

This week we were supposed to read about color and how color gives meaning to certain things in a comic/graphic novel, which is why F\for this blog post I chose a page from the graphic novel Garfield’s Monday Madness created by Andrew24. This page is supposed to be a calendar of the week, displaying how bad Garfield “Can’t Wait for the Weekend”. The way color gives meaning to this calendar is first off assigning these two complimentary colors, red and green, as monday and sunday. These are not only opposite colors in shade, but by assigning red to monday which is supposed to be the more stress-filled day, and green to sunday which is the more calm, relaxed day. In between are the different shades of these two colors, leading up to one another coordinating with each day. For example, Tuesday is orange, wednesday is a lighter shade of orange, thursday is yellow, friday light green, all leading up to the dark, calm, green used for sunday. In a way these colors are used as mood indicators. Seeing as how monday is stressful and hectic, they gave it the bright red which we usually see used in emergency for ambulance or cop lights, and as the days go by the colors lighten up, just like your mood would. And finally, incase you didn’t pick up on any of these color cues, Garfield is gladly demonstrating how he feels on each of those days.

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Color: Miguel Bustos

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Black Panther #1. Page 22. Marvel Comics. Written by Reginald Hudlin; Pencils & Cover by John Romita Jr. http://www.milehighcomics.com/firstlook/marvel/blackpanth1/page22.html

This comic uses two of the primary colors, red and blue.  Almost everything in this page of Black Panther has a red hue to it.  The sky is red instead of blue, the clouds have a light red tint to it, the grass has a hint of read to it and the even the reflective parts of Black Panther’s black suit is red.  The white on Captain America’s uniform is also slightly red but his shield does not have red added to it.  The red used in the background is a different shade to the one that is on Capitan America’s gloves.

The whole picture has a monochromatic feel to it with the exception of Captain America.  His blue uniform is a complement of the red surroundings.  It stands out from the rest of the picture.  The artist used this contrast on purpose.  The blue does not seem to belong in this frame, much like Capitan America was not supposed to be in Wakanda, the homeland of Black Panther.  The energy produced by the clashing colors also helps add energy and tension to this fight scene, helping it move forward.

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Color: Sophia Price

For this blog I chose to use another one of Lynda Barry’s works, Picture This. Her representation of Spring in this photo of the secondary color green throughout this page gives a calm feeling to the idea of spring. By only changing the greens value the picture, she allows for the tertiary colored orange and purple to pop and give her character presence against the softer background. The contrast of the green value gives the inner frame the focus of the page against the darker image within the frame (the monkey lady) and the outer frame which serves as complements to the focus of the frame. The flowers do not cause this more intense focus on the outer frame because they have the same soft tint as the inner green that seems to make it easy for your eye to scan across the page without giving them real focus. The background colors within this page have a dull intensity, which is only increased on the monkey lady of the scene. This dullness adds to the calm of the scene- Spring is the time when you begin to spend more time outside doing calming things, like planting. The gray that is carried throughout this scene adds to optical mixing of the page. It gives it a dimmer feeling, while not losing the crispness of the outer green. The outer frame adds

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Page 91 from Lynda Barry’s Picture This.

to this with its selective emphasis on the shades of pinks, grays, and blues. They match with the darker green, while not stealing the focus of the center page. They add to the simple, happy feeling of the page in it’s entirety.

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