Pattern Design Reflection: Sara Nielsen

Himalayan salt rock lamp

Photo by Sara Nielsen

For my final pattern design project, I was inspired to create two very different patterns that varied in color, shape, and mood. More specifically, I was inspired by everyday objects that I own and how they are incorporated in nature. My first design was influenced by a Himalayan salt rock lamp that I own. This rock lamp projects a warm and saturated hue that gave me the feeling of warmth and light. This reminder inspired me to make my first pattern since the shape of a sun stands out to me, and I also admire what the sun stands for through symbolism.

LED Vanity Mirror

Photo by Sara Nielsen

My second pattern drew inspiration from a vanity that I utilize on a regular basis. This LED mirror that I recently purchased is rounded in shape, with multiple “rings” existing between the circular mirror, light, and frame of the mirror. Unlike my first design, I wanted this pattern to be cooler in color and more abstract in shape. Also, by expanding on the circular motif, I created an egg symbol that grows smaller and smaller inside the shape itself while incorporating more hues than in my first design.

Creating these designs through Adobe Illustrator proved to be challenging since I have little experience with the application. For instance, there was some minor overlap with my first “sun” design given I kept the black outline in tact. Coloring within the shape also proved to be difficult since the paint bucket tool was unresponsive with some lines. My second design was much easier to generate. Since I wanted the second version to be more abstract I left one panel in the lower left with only 2 instead of all 4 shapes. The pattern design tool was helpful in producing both of my finishing products. The line, ellipses, and paint bucket tools were among my most used while working with Illustrator.

I can visualize my first pattern being used for a fabric since it is the more attention-grabbing design of the two I created. My second pattern, which is less graphic, has potential to be used for a rug or some form of 60s inspired project.

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Pattern Design Reflection: David Czyzewicz

My first design was inspired by the Stephenson Towers.  One day in class I was looking outside trying to get some inspiration from what I saw.  I looked at the towers for a second and thought about the class conversation on how architecture can sometimes hold hidden patterns.  I looked at the structure for a little longer and saw repeated shapes within the side of the build that included columns encompassing each set of windows, the windows themselves, the roofs above the windows and a column that goes through each column of windows.  For the original color choice I tried using elements from a previous color scheme, I called mossy brick from the last project, due to it being a brick building that inspired the design but then varied it to change the feel.  This original scheme reminded me of the old super mario games or the character of Reptar from the cartoon Rugrats. I ended up switching the color scheme to more imitate the the retro water cups since I liked the seafoam green I had on the sides of the original design and I knew that was similar to the retro design.  If I had to guess where I could see this pattern in the real world it would have to be as the design of an airport’s carpet.

My second design was inspired by my Fraternity’s pledge pin.  I knew that I wanted to find a way to turn this object into a patter.  My original design utilized all of my fraternity’s colors but I did not like the way the colors came across in the original, so I decided to try some variations on the color.  The reason I chose the final colors is because they were all lighter variations and they just reminded me off retro/geometric designs that I have seen on other clothes.  I did not know how I wanted to vary the shapes to improve the design until I had to paint pledge triangles at my house and after I finished painting, I lifted the triangles off the cardboard and found my final inspiration to complete the pattern.  I also wanted to utilize background that weren’t shown much  in the foreground to create depth and uniformity.  I could see this pattern on different pieces of clothing, especially on the pocket on pocket t-shirts or even on blankets.

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Pattern Design Reflection: Lloyd Proctor

The designs and patterns that I created came from unique experiences that I have had and things that I have seen. Most of the shapes that I chose to place in the pattern starting with the first design called seeds, this design was inspired by curtains that were in my aunt’s home. The fabric background was a dark grey tone and a little translucent, but at night everything faded and the fabric blended with the night sky. The seeds came from the idea of growth, more specifically my own personal growth. I chose these colors to represent the night sky and growth, ideally to be used as curtains in a new way. The second design that displays a solid earthy image was inspired by the idea of jewels and imperfection. The continuity of the design represents the continuous desire for perfection, to be that absolute diamond that stands out above all else. This is why I chose the diamond shape, but if you look closely you’ll see that all of them are the same, with different sizes and colors, but they are all occupying the same space and regardless of  appearance differences are truly still the same. The background is bleak  because its means to accent the similarities in the jewels and contrast to embellish their differences in a subtle way. The pattern in the real world would be a poster or framed to be presented on a wall. Its meant to be looked at and interpreted through many individuals eyes to hopefully inspire or make them think pasty superficial expectations with design.

 

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Pattern Design Reflection: Kira Norman

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My first pattern design was heavily influenced by pixel art renditions of hourglasses. I came up with this idea one night when I was playing a video game with pixel art graphics and a symbol of an hourglass popped up in the corner whenever a new scene was loading. I thought the pattern idea would be interesting to mess around with. What I noticed as I was finishing up these two variations was that they came to resemble more of a diamond pattern in one and the other color scheme made a series of X’s. I think this is caused by the darker pattern I chose for the first pattern verses the second version. The darker red helped to emphasize it’s own shape and cause the eyes to look for the diamond pattern. I think with the second version, because the diamond shapes are so much lighter than the rest, it comes off as negative space and the X has more emphasis put on it. I saw this pattern as something to be used as a wallpaper pattern or wrapping paper.

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This design was more straightforward in it’s reference toward the Adventure Time logo. I decided to try out two different color patterns on a series of sword based imagery. In the first version, the blue squares have the most emphasis put on them, being the brightest color in the pattern. For the second pattern, I used a dark blue color to try and emphasize the negative space a bit more. I also tried to emphasize the box around the sword with a new brighter color. I could see this pattern being used in a children’s book as a pattern page before the book starts or as a digital Coat of Arms.

 

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Pattern Design Reflection: Tavia Hall

My plan originally was going to be based off nature and creating flower type patterns. But my plan changed after watching The Quiltmakers of Gee’s Band and I wanted to look more into my roots. The video taught me that things such as quilts don’t have to be perfect in order to tell a story. This can be based on the materials, colors, symbols and etc being used.

Pattern 1

Pattern 1

I’m really fascinated by tribal print because you’re able to use different symbols, lines and shapes to create this complicated but simple pattern. When creating pattern 1 I searched for African symbols that could go into my design. I was able to recreate the “Power of Love” and “Energy” symbol to tie into my pattern. With pattern 1 I drew everything with the paintbrush tool without the help of any stylus. It was hard trying to get everything to look how I wanted it to, but then I remember that it wasn’t meant to look perfect. In regards to the color scheme I was thinking of more earth warm tones because my pattern gave me an organic natural type feel. I had a bit of trouble trying to figure out where the colors should go because a lot of the times the definition of the design would be lost. This is why there’s still some parts that are black. This pattern represents to me as the symbols presented to give off love and good energy to all. You never know what I person is going through, so just expressing those two words can make a difference. To others, I would probably think that they would assume it’s just a regular tribal looking pattern. If they didn’t have any knowledge of what the symbols represented then I couldn’t blame them. But then again a certain shape could look or mean something different to them so you never know what this pattern may represent.

Creative process

Creative process

Pattern 2

Pattern 2

Just by finding information from the first pattern helped me determine my inspiration for the second pattern. Instead of going organic I went geometric which gave me more freedom to make more lines and shapes. A lot of the African jewelry and clothing gave me inspiration for the designs and shapes. The color scheme reminded me of the Wild Thoughts music video. To me, this pattern represents to me as fun and bold especially since the color scheme is kind of random. I feel like others would have the same representation. This pattern didn’t take me that long to create, especially after getting use to the software. Both of these patterns can be used for all different types of things such as clothing, vases, blankets, book covers and so much more.

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Pattern Design Reflection: Steven McCracken

As a DTC student I’ve always had an interest in graphic design and art in general, and as a result of that I decided to create my own brand freshman year. I started with selling clothing and hope to return to that eventually, but for the time being I’ve been taking commissions through Twitter to make some income. So when we were assigned to create patterns I figured I’d make something related to my brand, that way I could post it and possibly have it used by people. We were also shown a pattern in class as an example where they drew a bunch of characters, and then once it was in the pattern tool you couldn’t tell where the drawings started and ended. After seeing that pattern I knew I wanted at least one of mine to be hand drawn.

mccracken-patterndesign-07Some examples of what I’ve done with my brand, including clothing, album covers and drawings.mccracken-patterndesign-08

Initial drawings for my faces to be used in my first pattern, and then my individual tiles for the second pattern. I initially attempted to redraw the faces in illustrator and color them there but I didn’t love the way they turned out and preferred the hand drawn look. Because of that though I had to color the drawings separately in Photoshop and then transfer them in.

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My final plan for these patterns is to release them as phone wallpapers on my Twitter account. I always love to release as much brand related content as possible and so I figured if I could integrate that into a school project then why not.

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Pattern Design Reflection: Camille Oppedal

My pattern designs were inspired by a personal fascination with spirals. As long as I can remember, I have always found myself gravitating to spiral shapes when doodling and sketching. As a child, I remember staring at the spirals on the bean stalks in my grandma’s garden and finding them strangely beautiful. Then, as a teen ager, I stumbled across the horror graphic novel, “Uzumaki: Spiral Into Horror” and, being an avid lover of mind-bending horror, the concept really stuck with me. The premise of the story is that a town slowly becomes obsessed with spirals, where individual citizens begin to either fear the shape or worship it. The author, Junji Ito, is known for his cerebral and unique depiction of horror through unexpected means, and I was particularly fascinated by how he was able to turn a geometric shape into something terrifying. I also drew some inspiration from more historial references, like the ancient Sicilian and Celtic symbol of the Triskele/Triskelion. I find the balance of simplicity yet intricacy really visually interesting in this symbol, and I wanted to emulate a similar level of abstractness in my patterns. I also noticed that one of my patterns made me think of an octopus, so I used an aquatic color pallet to further this conotation. I also used one of my favorite posters in my room of a black cat with a spiral tail as inspiration for both shape and color in one of my initial designs.

I can see my “octopus” pattern being used for wallpaper or possibly fabric designs. I can see my wave pattern as detailing on graphics and other pieces, because I think it’s a bit too busy and can be overwhelming to the eyes when used alone.

 

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Pattern Design Reflection: Sophie Stoltman

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Photo of Pullman Sunset by Sophie Stoltman

For this pattern project, I was heavily inspired by the Pullman I saw in my everyday life. For one color scheme, I was inspired by a photo I took of a special Pullman sunset. I wanted to see how the wide variation of colors would look in a pattern that was more geometric and structured compared to a gradient sunset found in nature. I based my first pattern from this photo. I titled the final pattern “good vibes” because to me it looks a lot like a pattern from the 70’s because of the layering and repetition paired with the colors I drew from the sun set photo. I started with a geometric looking tear drop shape. I then layered and over lapped and reflected this shape to mimic the photo I took of my succulent plant on my desk, starting with a middle and then layering outward from the center.

for blog suculent texture

Photo by Sophie Stoltman

I struggled with making my pattern look exactly how I wanted with a background color so I incorporated the background shape into the final pattern, I think that this reflected the actual sunset even more than before. I think this pattern would look good as a planner cover or even a funky graphic tee shirt.

When I added a new color scheme to this patter I wanted to pull inspiration from my life at WSU. I wanted to show a colder side to Pullman so I pulled form colors all on the cooler side. The greens and blues that I used reminded me of walking under the stadium to get home from an early class in the early spring when things are just starting to get green again.  I think that this new color scheme demonstrates the Bezold effect because this new pattern and color combination seams more uniform and subtle compared to my “good vibes” pattern. This color scheme makes this pattern more universal and could be used for a fun wallpaper or even a phone case.

The next pattern I created was inspired by all the fuzzy coats that are in trend right now along with the fuzz of a dandelion. I knew I wanted to use a lot of layering to create a fuzzy effect. Unfortunately, I didn’t have a photo that I took of this inspiration but I have seen both of these physical things in Pullman during the changes of the seasons. I used an organic sharp shape that was unsymmetrical and odd looking. I then layered this shape on top of itself multiple times. To make the fuzzy shape contrast I layered the background on as a hexagon shape to contrast the fuzzy look of the other shape. I made this pattern with a warm and light color scheme that reminds me of a summer day and then also in a darker green and brown combination that was inspired by my succulent plant as well. I think the Bezold effect is demonstrated well with the difference of the outlines of the fuzzy shape. I like the idea of these being wallpapers or sleeves of a book.

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Pattern Design Reflection: Patricio Orozco

So my first pattern come from the shape of a flower. The inspiration from this flower comes from the Hawaiian flowers, of course, they are not the same but similar in ways that it may represent tropical. I always enjoy how the Hawaiian flower looks and probably one day I want to go to Hawaii for a vacation trip. For my pattern I did two color schemes for my pattern but I enjoyed the second color scheme much better. I named that particular pattern as Blue Hawaiian because it looks like a Hawaiian shirt but limiting to cool colors like purple, yellow and of course mainly blue. In this pattern it doesn’t contain a background color, if I did add a color then it will look differently but I did overlap the design close together to get this design. In the first color combination I used about 10 colors but I wanted to limit the color variations so I decreased it to only three colors. This design could be used for a shirt design to use for vacations.

Blue Hawaiian

Blue Flower

Rainbow Flower

Flower

 

My second pattern comes from the shape of a ninja star. The inspiration is from one of my favorite anime shows Naruto and I also have a ninja star fidget spinner. I enjoy the designs of ninja weapons because they are different from normal knives and can be used differently based on your situation. The pattern that it came out hardly shows the design but it creates a pattern which I called it Spikes because it looks like it is forming spikes from the ground. the colors for this was gray and a red shaded color. I think these two colors go very well with each other. even though it doesn’t go well with the idea of ninja, when thinking of ninjas you would associate black and white as the main colors.

 

Spikes

Ninja Star

Compass

Diamond Star

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Pattern Design Reflection: Kim Conway

PrintPrintI was walking down the paths on the WSU campus and began to notice certain patterning within the bricks and concrete. Some of it was colored but only slightly different than the rest. I found that there are certain places that do have very colorful concrete and pattering such as children’s playgrounds, schools, and museums. There may be more but these are where I decided to get my inspiration to use color. I found some circular concrete pattering that I really thought was nice so I decided to create a variation on that.concrete circles

I thought that finding a beautiful concrete pattern in a garden on a path would be really wonderful and add more beauty to a place that is full of color. I chose to create a sort of geometric rose shape and color it with pink and purple shades. The second was a circular shape that I sort of took from the circular pattern I found as inspiration, but instead of really overlaying it I spread it a bit and allowed some white triangular shapes to show through. I would maybe not use this as a path of sorts anywhere, but perhaps as a tile in a shower or backsplash in a kitchen. I decided to try and change the colors from pinks and purples to cooler colors of blues and purples. To me it works, but I am not sure where it would belong. I used various greens for the circles and I think its nice but I’m not sure it would be the colors id use in the everyday situation. I decided to try the pinks from the first rose concrete design I made in the variation of the circles and I find it nice as well but still don’t think anyone would use it in their homes.colored concrete

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