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Invisible Emotion: Erika Epperson
McCloud, in chapter five talked about conveying emotion through lines. I felt like the comic “Crazy Men Go Wild” was a good example of that because of the fact that this comic had a lot of lines and patterns throughout … Continue reading
Invisible Motion: Phuc Tran
The first example I chose for lines come from “Sacred Profane” by Justin Green . Even though I do not fully understand the of the comics as they use some strange, old English. The lines that are used to create … Continue reading
Invisible Motion: Nicholas Kawaguchi
Within the MASC’s exhibits are some very interesting pieces of comics and graphic novels that did not fail to show off the plethora of types and designs that reside within the genre. One that particularly interested me was Keiji Nakazawa’s … Continue reading
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Invisible Emotion: Zach Morgan
Our class visited the MASC to analyze their comics collections and try to identify concepts from Scott McCloud’s Understanding Comics. One of the concepts that I tried to identify is the use of line. The example that I found for … Continue reading
Invisible Emotion: Min Kim
In this page of “Crash”, there is a hectic mess of oil, collided cars, and passengers as man in a shanty kart zooms across. As explored in Scott McCloud’s explanation of lines and how they convey meaning, the lines in … Continue reading
Invisible Emotion: Helena Matheson
I was very interested by the Golden Legend from the 1400s and its use of line quality, as it was quite different from most modern art. The image I chose was a depiction of Saint Stephen being persecuted against by … Continue reading
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Invisible Emotion: Maria Alvarez
Living in line by Scott McCloud taught me how to look at lines and see what they can mean. For this example, I chose to evaluate a page of Crazy Men Deluxe which shows the harshness of some lines. For this … Continue reading
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Invisible Emotion: Isaiah Wilkerson
In the MASC, I found some very interesting lines that expressed many different emotions. The one that I chose was The City: A Narrative Portfolio by Will Eisner. This art used many horizantal and diagnol lines that were very close and … Continue reading
Invisible Emotion: Emily Bartholomew
This week we went to the Manuscripts, Archives, and Special Collections (MASC), and we looked at all different types of comics. The first table that had books on them was very old and was one of the first books ever … Continue reading
Closure and Time Frames: Elora Buschini
For my graphic novel I chose The Authoritative Calvin and Hobbes. I chose this book in particular because I grew up reading the newspaper everyday and was always excited to read the comics. It gives me a nostalgic familiar feeling, it stuck … Continue reading