Category Archives: Fall 2014 Archive (336)

Broadsides – Becka Prater

Posted on November 4, 2014 by rebekahprater

In this poem, “Instead of a Headstone” by Christina Davis, the author demonstrates total immersion because on the right, the image is a text and the text makes up the image. The words wind its way through the map-like image, … Continue reading →

Posted in Fall 2014 Archive (336) | Tagged | Leave a comment

Broadsides – Nathan Taylor

Posted on November 4, 2014 by nathanktaylor

The broadside I have chosen for this blog is titled “What Writers Rely On” by Marilyn McEntyre. This piece is a good example of a total immersion broadside for several reasons. First, it fits the definition of broadside because it is … Continue reading →

Posted in Fall 2014 Archive (336) | Tagged | Leave a comment

Broadsides – Ashley Davis

Posted on November 4, 2014 by ashleykdavis

This broadside to the left is a great visual example of total immersion. It was written and designed by Mary Ann Sampson for her poem Obstacles and Impediments. It fits into the “integrating display type” category of Kyle Schlesinger’s article, … Continue reading →

Posted in Fall 2014 Archive (336) | Tagged , , , , | Leave a comment

Broadsides – Eileen Lim-Hing

Posted on November 4, 2014 by eileenlimhing1

In Kyle Schlesinger’s reading he talks about how broadside can be seen in different ways. One of the ways is, total immersion. This is talking about how a text can be difficult to distinguish from one another. In this movie … Continue reading →

Posted in Fall 2014 Archive (336) | Tagged | Leave a comment

Broadsides- Stephanie Jones

Posted on November 4, 2014 by stephaniejones11

Like the Kyle Schlesinger broadside posters, this Gary Joseph post for boxing would be under the category of “everything but poetry” in the reading. This is a broadside for boxing in the 50’s, 60’s. It has bold and colorful graphics. The bright red … Continue reading →

Posted in Fall 2014 Archive (336) | Tagged | Leave a comment

Broadsides – Katie Malberg

Posted on November 4, 2014 by Katie Malberg

This broadside was a “Switcheroo” for an annual Broadsided Press feature, where writers create works in response to a piece of visual art. Poet Philip Schaefer and Painter Maura Cunningham were the creators of this broadside. As can be inferred, … Continue reading →

Posted in Fall 2014 Archive (336) | Tagged , , , | Leave a comment

Broadsides- Megan Thompson

Posted on November 4, 2014 by Megan Thompson

From reading Kyle Schlesinger’s essay about broadside the image below is an example of the earliest versions of a broadside. A broadside one large one sided page. It just so happen that broadsides are used to inform others of what … Continue reading →

Posted in Fall 2014 Archive (336), Uncategorized | Tagged , , , , , | Leave a comment

Broadsides – Susan Cannarella

Posted on November 3, 2014 by susancinderella

In the article by Kyle Schlesinger, we review many different types of broadsides. This broadsides by Thomas Hood exemplifies the characteristics of a broadside discussed by Kyle Schlesinger. The poem is set on a . We can see that this … Continue reading →

Posted in Fall 2014 Archive (336) | Tagged | Leave a comment

Helvetica- Andrew Sears

Posted on October 21, 2014 by andrewsears2013

For the evo logo I believe that the designer chose to use the Helvetica typeface because of its simplicity and also the neutral feeling that it puts off. Evo is a company that sells casual clothing and also athletic gear … Continue reading →

Posted in Fall 2014 Archive (336) | Tagged | Leave a comment

Helvetica – Alden Paguada

Posted on October 21, 2014 by aldenpaguada

I have chosen to use the Air Canada logo as an example to illustrate how helvetica font can easily be read, and how can maintain a very modern and contemporary look at the same time. Helvetica birth place is Munchenstein, … Continue reading →

Posted in Fall 2014 Archive (336) | Tagged , , , , , , , | Leave a comment