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Author Archives: Miguel Bustos
Layers- Miguel Bustos
Layering is done when more than one story, idea, or point needs to be made at the same time. By adding a layer, a new idea can be introduced at the same time but differently to show distinction from the … Continue reading
Texture-Miguel Bustos
Texture is something that have a feel to it. It is a tactile sensation that we normally experience with our physical bodies. This sensation can be translated into the visual realm with a few tricks. The way something is perceived … Continue reading
Posted in Spring 2017 Archive (336)
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Color: Miguel Bustos
This comic uses two of the primary colors, red and blue. Almost everything in this page of Black Panther has a red hue to it. The sky is red instead of blue, the clouds have a light red tint to … Continue reading
Posted in Spring 2017 Archive (336)
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Time and Motion-Miguel Bustos
Since pictures are static and do not change, artist have tried different methods of depicting motion and the passage of time. Both are illustrated using different methods but they also rely on the reader to interpret their meaning. In this … Continue reading
Posted in Spring 2017 Archive (336)
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Framing-Miguel Bustos
In this page of Iron Man, the artist does not use a full page bleed. He uses the negative space to imply the different frames. The two frames with the board members are different sizes to portray different things. In the … Continue reading
Posted in Spring 2017 Archive (336)
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Point, Line, Plane-Miguel Bustos
In this picture, we have several parallel and perpendicular lines. Because the lines are arrayed in a pattern we are able to tell that this grid formation represents the grout between tiles. These lines all seem to be converging on … Continue reading
Scale-Miguel Bustos
In this page of Around the World in 80 Moods by Azeu Lost, scale is implemented to show depth and size of their surroundings. In the top frame, we see them walking on a brick path. Objectively, we know that … Continue reading
Posted in Spring 2017 Archive (336)
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Form storming-Miguel Bustos
Images are as important to an artist as diction to a poet or flavor to a chef. Images are alive, perhaps not breathing but most definitely speaking. They can take on an idea and shout it out to so many … Continue reading
Posted in Spring 2017 Archive (336)
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