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Author Archives: elisedetloff
Archives Visit: Elise Detloff
During our class fieldtrip to the Manuscripts, Archives, and Special Collections at the library I was immediately inspired by the older texts that had been placed out for us. I had been struggling to find to a way to convey … Continue reading
Hierarchy: Elise Detloff
For my poster comic I’m planning to illustrate my experience with music and how both my taste in music and my musical activities have changed over the years. My main background is going to be my first marching band … Continue reading
Posted in Spring 2017 Archive (336)
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Layers: Elise Detloff
According to Ellen Lupton and Jennifer Cole Phillip’s Graphic Design: The New Basics, layers are simultaneous, overlapping components of an image or sequence. And an artist that embodies the use of layers extremely consistently has to be Lynda Barry. In … Continue reading
Posted in Spring 2017 Archive (336)
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Texture: Elise Detloff
Lynda Barry’s graphic novel What It Is has a very distinct and unique art style that sets it apart from other books in its genre. From the collage-esque cuttings of paper to the rough handwriting scribbles on lined paper, Barry … Continue reading
Posted in Spring 2017 Archive (336)
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Color: Elise Detloff
Maira Kalman’s The Principles of Uncertainty is such a vibrant and colorful graphic novel that there are many wonderful examples of how hues interact with each other. Hues are the specific place on the spectrum where the color is. … Continue reading
Posted in Spring 2017 Archive (336)
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Time & Motion: Elise Detloff
While being quite a basic comic, Perfect Example by John Porcellino is a coming-of-age story that represents movement in a static, 2-dimensional space very well. Being able to portray motion, the movement of bodies, and the passage of time can … Continue reading
Posted in Spring 2017 Archive (336)
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Scale: Elise Detloff
This two-page spread from Maira Kalman’s The Principles of Uncertainty is an excellent example of how scale can be interpreted objectively and subjectively. Scale isn’t just size, but the interpretation of that size literally or based off of experiences or … Continue reading
Posted in Spring 2017 Archive (336)
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Framing: Elise Detloff
Jimmy Corrigan: The Smartest Kid on Earth by Chris Ware is a graphic novel that makes use of framing incredibly often. This comic began as a serialized strip in newspapers which accounts for the many panels and subsequent frames around … Continue reading
Point, Line, Plane: Elise Detloff
The graphic novel Fun Home: A Family Tragicomic by Alison Bechdel is a memoir of the author’s life, focusing primarily on the familial relations, self-discovery, loss that Bechdel experienced throughout her life. Since the story focusing primarily on the author … Continue reading
Formstorming: Elise Detloff
The first 50 pages of the graphic novel, What It Is by Lynda Barry, explores very heavy ideas such as the loss of innocence and imagination that comes with age. Many of the pages feature text that asks questions … Continue reading
Posted in Spring 2017 Archive (336)
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