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Author Archives: conorreich
Layers: Conor Reich
The image to the right-taken from Lynda Barry’s, “What It Is”-acts as a fine demonstration of creatively incorporating layers in the page’s design. There is a lot going on in this page, yet it all works due to her use … Continue reading
Texture: Conor Reich
Texture allow illustrators to clue the reader into the nature of things within the world they are creating. Texture can refer to the type of paper the final product is being printed on, or more likely, it refers to the … Continue reading
Posted in Spring 2017 Archive (336)
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Color: Conor Reich
The first colored comic is believed to be published in 1895 under the name of, “Hogan’s Alley”. Since then, the comic book industry has never been the same. Color has no become an integral part of comic book storytelling. The … Continue reading
Time and Motion: Conor Reich
Time and motion are closely related. This is because motion takes place over time. Illustrating motion on a 2-dimensional surface can be complex. Yet, it is a necessary skill illustrators must work to perfect. There are many ways for one … Continue reading
Posted in Spring 2017 Archive (336)
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Scale: Conor Reich
In class we have discussed how the concept of scale can be both subjective and objective. Objective scale means an image is depicted in relation to other images in a way which makes the scale of the image seem actual. … Continue reading
Framing: Conor Reich
I found the short comic above while researching the importance of framing in comics. I absolutely love this comic as it highlights the importance and significance frames add to an image. The frames in the comic above are fairly … Continue reading
Posted in Spring 2017 Archive (336)
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Point, Line, Plane: Conor Reich
The last page of Alan Moore’s, The Killing Joke is an excellent portrayal of how points and lines can serve to not only add to the depth of field, but they can also demonstrate volume, sound, and mood. The last three … Continue reading
Posted in Spring 2017 Archive (336)
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Formstorming on the line of creative drivel, Conor Reich
In the first 50 pages of “What it is” Lynda Barry hosts a procession of superfluous philosophical questions related to creativity. If you are like me, this book may seem like a collection of creative drivel backed by a well … Continue reading
Posted in Spring 2017 Archive (336)
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