OFFICE HOURS
Tues and Thurs, 4:05-5:00pm, Avery 479 (office) or Avery 105 (lab)
EMAIL: kristin.carlson@wsu.edu for an appointment
Blog Posts
- 201 Blog
- Archives
- Fall 2014 Archive (336)
- Fall 2014 Archive (338)
- Fall 2015 Archive (336)
- Fall 2015 Archive (338)
- Fall 2016 Archive (336)
- Fall 2017 Archive (336)
- Fall 2017 Archive (336)
- Fall 2018 Archive (201)
- Fall 2018 Archive (336)
- Fall 2019 Archive (201 Blog)
- Spring 2016 Archive (336)
- Spring 2017 Archive (336)
- Spring 2018 Archive (336)
- Sample Posts by Students
- Sample Posts by Your Professor
- Uncategorized
Tag Archives: Broadsides 336 Fall 2014
Broadsides – Becka Prater
In this poem, “Instead of a Headstone” by Christina Davis, the author demonstrates total immersion because on the right, the image is a text and the text makes up the image. The words wind its way through the map-like image, … Continue reading
Broadsides – Nathan Taylor
The broadside I have chosen for this blog is titled “What Writers Rely On” by Marilyn McEntyre. This piece is a good example of a total immersion broadside for several reasons. First, it fits the definition of broadside because it is … Continue reading
Broadsides – Ashley Davis
This broadside to the left is a great visual example of total immersion. It was written and designed by Mary Ann Sampson for her poem Obstacles and Impediments. It fits into the “integrating display type” category of Kyle Schlesinger’s article, … Continue reading
Posted in Fall 2014 Archive (336)
Tagged broadside, Broadsides 336 Fall 2014, juxtaposition, kerning, tracking
Leave a comment
Broadsides – Jesse Pearson
My example of a broadside is a poem, called “The Unswept”, by Sharon Olds. It puts the poem itself in the center of the page, but then uses a decorative border, along with a design in the space in between … Continue reading
Broadsides – Eileen Lim-Hing
In Kyle Schlesinger’s reading he talks about how broadside can be seen in different ways. One of the ways is, total immersion. This is talking about how a text can be difficult to distinguish from one another. In this movie … Continue reading
Broadsides- Stephanie Jones
Like the Kyle Schlesinger broadside posters, this Gary Joseph post for boxing would be under the category of “everything but poetry” in the reading. This is a broadside for boxing in the 50’s, 60’s. It has bold and colorful graphics. The bright red … Continue reading
Broadsides – Katie Malberg
This broadside was a “Switcheroo” for an annual Broadsided Press feature, where writers create works in response to a piece of visual art. Poet Philip Schaefer and Painter Maura Cunningham were the creators of this broadside. As can be inferred, … Continue reading
Posted in Fall 2014 Archive (336)
Tagged baseline, Broadsides 336 Fall 2014, Scale, typeface
Leave a comment
Broadsides- Megan Thompson
From reading Kyle Schlesinger’s essay about broadside the image below is an example of the earliest versions of a broadside. A broadside one large one sided page. It just so happen that broadsides are used to inform others of what … Continue reading
Posted in Fall 2014 Archive (336), Uncategorized
Tagged Broadsides 336 Fall 2014, display type, layering, overlap, Scale, total immersion
Leave a comment
Broadsides – Susan Cannarella
In the article by Kyle Schlesinger, we review many different types of broadsides. This broadsides by Thomas Hood exemplifies the characteristics of a broadside discussed by Kyle Schlesinger. The poem is set on a . We can see that this … Continue reading