Tag Archives: Broadsides 336 Fall 2014

Kyle Schlesinger covers the different types of broadsides in his essay. A broadside is usually defined as a large sheet of paper that is printed only on one side. Broadsides were normally used to announce information such as political movements. … Continue reading →

This broadside is a combination of a poem by Mary Wehner and lithograph artist Pollyanna Fernandez. I think this broadside is a good illustration of total immersion as mentioned in the essay by Kyle Schlesinger. This broadside is single sheet, … Continue reading →

This example of a broadside reminds me of the dichotomy between text and images like the author describes. But to take it further, I think it would be appropriate to mention Rene Magritte’s “treachery of images” and Joseph Kosuth’s “3 … Continue reading →

This poetic broadside shows a lot of what Kyle Schlesinger describes in his article as full immersion. The text is purposefully made small, and it is put within the shapes that make up the city skyline in the broadside, rather … Continue reading →

Kyle Schledinger’s essay on broadsides was confusing at first with the multitude of examples provided but I hope I am understanding it a bit more every-time I reread his piece. Like his examples, the broadside I found uses a single … Continue reading →

This broadside was created Wing Lau to promote a gallery showing of other broadsides by numerous artists. However I think that it itself is very good example of a broadside after reading Kyle Schlesinger’s essay. It obviously fits the criteria … Continue reading →

  This excerpt reminded me of one of the screen plays I had been writing and how I have not been able to take the time to finish it. I am not sure this is an example of total immersion. … Continue reading →

In this broadside, the designer Amy Meissner takes Christopher Citro’s poem “Stop Doing That” and creates a visual piece that complements the author’s words, demonstrating the idea of total immersion. The broadside itself is organized with the poem aligned on … Continue reading →