What It Is? Part 2

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Small Nerf Basketball Hoop, taken on 8/31, Pullman, WA

I chose to take a picture of the mini basketball hoop that hangs from my freezer in my apartment. I believe it relates to Barry’s image because even though I’m in college and practically a adult, I still make time to play around like I’m a twelve year old kid again. When I was a child, I would always play basketball by myself and I would imagine that I was the youngest kid to play in the NBA, and I was exceptionally good too! For hours at a time, I would daydream about dunking the ball over 3 defenders and draining three pointer after three pointer. Now that I’m just about 21 years old, every time I walk past the hoop on my fridge, I can’t help but to grab the nearest small nerf ball and “practice” shooting. It proves to myself that the creativity I had as a child is still apparent in my “adult” years. There is no limit to where your imagination can you, just as there is no age limit for a little daydream on your off time.

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What It Is? Part 1

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Lynda Barry “What It Is” Pg 51 Crop

The section from Lynda Berry’s book that I decided to crop is a small passage on page 51. The passage read “Or looked like we were playing by ourselves. I believe a kid who is playing is not alone. There is something brought alive during play, and this something, when played with, seems to play back”. Barry is saying that when a child uses their imagination, anything is possible, there is absolutely no limit to the extent of imagination used. A child can be just as creative, if not more, when alone. When I child is alone with only their creativity to play with, imagination is the appropriate getaway. Around the passage, there appears to be hand-drawn images that essentially border the passage. I believe these small doodles simply highlight how many different forms imagination can take. It can be in the form of a child playing cops and robbers with their imaginary friend, or it can even be in the form of little doodle cats floating on a boat in the ocean (as shown in my selected image).
I believe that Barry created the pages that make up her book in an extremely patient manner. To me, it seems like she hand drew all of the images in the book. In some cases, it appears that she hand wrote the passages as well. It’s clear that she spent a substantial amount of time on each page and every aspect of every page is a conscious choice. This relates to her message because she let her imagination format the book. Her original and creative vision is what makes her book so unique. It is essentially of piece of her mind.

 

 

 

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What It Is? Part 2

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This picture was taken in Sofia, Bulgaria. August 31st, 2016

This is a picture of my cousin playing with water balloons. She is really creative and her imagination surprises me everyday. She stayed for an hour by herself playing with these balloons and imagining that small people live inside of them. Then she had to save them and take them out of the balloons. It made me think of Barry because the imagination has no limits for a kid and their life is so much colorful and happy with that imagination, just like her book.

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What It Is Part 1

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Lynda Barry, “What It Is” page 14

In Barry’s novel “What It Is”, Barry seems to be saying that our childhood relates directly to our creative inspiration because they are both centered around an image. Barry states that an image is alive in the same way that our memory and experiences are alive and that it consists of both memory and imagination. What I can take away from this information, is that Barry thinks that our child like imaginations are part of what allows us to be creative and inspired throughout our daily lives. It looks like this book was sketched by a kid using a pencil and some markers. This art style can be seen through the way Barry depicts the birds and cat on page 14. Their fur and feathers are obviously textured with a pencil, and their color looks smudged, which gives me the impression that they were colored with a marker. This art style relates to Barry’s message because it simply depicts a kids art style, which Barry thinks is important to our creative process.

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What It Is? Part 1

Barry seems to be speaking about how art and play go hand in hand. They also resemble the same type of lifestyle. As children play games and be an active child, the people that practice the arts use the same kind of drive and have the same amount of enjoyment.

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The arts and play are one in the same.

As you can see in the image that I chose, he reveals that the arts and what children call “play” is somehow alive.

I think Barry created these pages using water paints as well as some fine point sharpies for the high detailed areas. This relates to the message about the arts and children playing because children often use water paint as a beginning form of art

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What It Is? Part 2

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A poster that has accompanied me everywhere I go a large portion of my life

This image is of a poster that I have had for a long time. The poster has accompanied me through many moves, seen many friendships, many memories play out in front of it as it watches over my life. Even when I moved here, I instinctively packed the poster and hung it up above my computer, not really thinking twice or stopping to ask why. This subconscious part of me that escaped my mind and became its own separation of my individuality ties into what I believe the message Barry is attempting to get across. I believe she is saying that parts of us, such as essential childhood items or memories or feelings, grow into their own sort of individual in the “separate world” that she states parallels ours. We have these parts in our mind, sometimes we forget them or don’t put primary focus on them and they get lost in our minds but when we see them, we are taken back to feelings, emotions, and they can inspire us with those past emotions we have long since felt, giving us a breath of fresh air from the lungs of our past selves.

-Kevin VanderMeer

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What It Is? Part 1

Barry show the readers the idea of change when we grow up as a loss of creativity and inspiration. The page I chose talks about how different children’s priorities and grown up’s priorities are. At it says in the first box “at the center of everything we call “the arts”” while children just play. She defines that “playing” as a happy and creative trip to a world either made of memories or imagination.

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Linda Barry – What It Is – Page 14

Barry used less colors than in the other pages and I think she does that to contrast the children’s imagination and a “happy play” to the adult’s mind-set and the “serious play.”

I think Barry made a collage with a lot of pictures, some might be drawn, other might be printed images, and also with a lot of hand-written text. This design fits perfectly with the idea she is trying to express in the book. Just by reading the book and going over some images, the imagination come to our minds and she make us think about a variety of questions that doesn’t really have correct answers, or any answers at all.
It’s hard to focus on one detail of the page because there is so many of them, but all of the contribute to the meaning of the book. I think the big monster at the top of the page is a good example of what the book really tries to do: ask you question with no specific answer and show you things that are only real in our imagination.

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What It Is? Part 1

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My crop of a Lynda Barry page, talked about in the accompanied posting

  1. In my example, I feel Barry is saying that with childhood and playing, they’re not the same when we grow up and out of our younger years. We often will find ourselves thinking of happy times in the past and those happy times are really when we would simply play and have fun as a child. She states how there can be a “kind of amnesia” when it comes to how serious we took playing and I definitely can relate to that. One of my happiest memories from when I was a child was having Christmas in Hawaii and getting a toy truck that made all sorts of fantastic sounds. The memory to me always seemed happy but I never thought about particularly why up until now. I was happy largely due to the fact that I was playing with a brand new toy.
  2. I believe Barry created the pages of the book by handwriting on what looks to be lined yellow paper and painting/drawing in the details with markers and what looks to be water colors then probably scanning it into a computer and putting any finalizing touches before assembling it as a whole digitally. If you look closely at the lettering, letters of the same type (e.g. four different letter ‘Y’s) are all slightly different which gives me the suspicion that it is in fact not a typeset but simply careful handwriting. I feel this relates to her message of going back to the basics, the simple times, the fun, to truly find out more details about one’s self and she did that by creating this book using most likely simple art supplies that anyone can probably pick up at the nearest store. She didn’t use fancy pastels or textured paper but just the simple sketch tools of a bored child creating worlds and words out of mere thoughts and imagination.
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Color and Texture: Joshua Perez

This menu is quite interesting. Not only is the food served in planks (as seen in the picture) but the menu is also bolted on a similar plank. The difference is that the food in picture is being served on wood planks while the menu is on a leather plank. And the plank itself helps contrast itself from the menu in that the menu is using a wood texture. The whole theme of this menu is very consistent and that’s what makes it appealing. The colors of the foods like the sausage , egg and bread (in the far left picture on the menu) are complementary colors or colors that when together are strongly contrasted making that particular food stand out. The texture in the background also as I said before really compliments the whole theme of the menu and the restaurant. The wood texture used in this menu is taken from a photograph and it helps add more contrast between the plates the whole the food and the background/texture. Overall the whole menu design from the texture/background and the color of the food items and even the plates and planks that hold the food really help the eye distinguish between what the background and foreground. In the menu your eyes immediately divert to the food items and from there your eyes naturally divert to the black text boxes that show what the food item is and the cost.galki_photo_01

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Rhetorical Analysis of Campaign Materials: Joshua Perez


Ted Cruz is an interesting candidate, according to a couple articles his personality type is ENTP which means his personality type is Extraverted iNtuitive Thinking Perceiving. This type of personality type gains energy through interaction, they also tend to focus on the bigger picture and leave the minor details behind while valuing criteria over their own preference. This personality type also likes to not rush through big decisions , they prefer to keep their options open. Ted Cruz is much like this in fact , he is very outspoken and he is very firm on his points of view. For example, since 2012 when Ted was running to be US Senate he was against obamacare and he even ran a campaign then to try to appeal it and to this day he holds those same values. His republican rhetoric however is turning quite negative for the opposing democratic party anyway, he once mentioned the opposing party’s debate as “more socialism, more pacifism, more weakness, and less Constitution” and “a recipe to destroy a country.” I think if he continues to use this rhetoric he might not get the republican nomination. But if he did I feel as though his actions will be bold to the point. He believes in what he believes in and he will make sure he gets just that. If Ted Cruz were to redesign his logo I feel like the only thing he would need would be a little handle for the flame. The flame in his logo , even though it draws similarities to other already established logos, I think it fits him very well. See below comments. You do need to completely redesign the logo, even if you think it is already effective. How could it be better?

Based on the Ted Cruz’s rhetoric on the opposing party, the democratic party: I would say that his overall general way of convincing the crowd of what he believes is in through Pathos, by creating an emotional response throughout the audience through Cruz’s words. Ethos and logos are also used but not as much as Pathos. Ethos is used because Ted Cruz has a history with politics, he has been in the US senate before and now he is a republican presidential candidate. Logos comes through his arguments depending on what Ted Cruz says he can convince the crowd through logic. You explain what ethos (credibility) is by using a specific example: Cruz’s history as a politician. Do the same with your argument for logos and pathos. Also, can you connect his rhetoric in these areas to your description above about what Cruz stands for and how that may (or may not) be enforced visually in his logo? How to the relative organic or geometric qualities of shapes and/or fonts connect to his rhetoric? How can you improve on this in a complete redesign?

Ted Cruz appeals an older crowd so I feel like his natural , curvy logo fits what crowd he appeals in quite well. I feel like even though the abstract shape that is the flame is a little difficult to point out at first , one can tell what it is after awhile and it fits with Ted Cruz’s campaign overall. You could argue that the flame is BOTH organic (curvy, based on a natural phenomenon: fire) and geometric (the rendition is very regularized with smooth, crisp lines). Also, you could argue that though it has representational qualities, it is fairly abstract and therefore open to interpretation: It is flame but perhaps also a droplet. How can this ambiguity inform your redesign?

 

 

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